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Written by Rob Schultz (human).

#2,077: Gone Girl

This week, the reviews are pretty low on critical thinking. I'd apologize for that, but I'm too thoroughly employed to do anything about anything at the moment.

Devil in a Blue Dress - β˜…β˜…β˜…Β½β˜†
A fun companion to a recent run of movie club movies that included LA Confidential, The Long Goodbye, and Changeling. Good movie. Bad title. Makes me want to start a letterboxd list called "We were SURE this was gonna be a franchise!"

The Drop - β˜…β˜…β˜…Β½β˜†
Went into this one cold. It's pretty good! Pleasantly surprised to see it's written by Dennis Lehane. My favorite thing about Hardy and Rapace are that I don't really know what they look like yet, so I don't have to spend the first twenty minutes of the movie waiting for the character to take over in my head from the big star. (Ahem, Devil in a Blue Dress, ahem.) Movies like this are tough to give a score though, because while I liked it, have no real complaints, and would recommend this movie to YOU, I don't think I will ever want to see it again.

L.A. Confidential - β˜…β˜…β˜…Β½β˜†
I think all I knew about this movie was the clip shown on the Mystery Science Theater 3000 Vice Presidential Command Performance Academy of Robots' Choice Awards Preview Special, so I thought it was going to be a lot of boring standing around and saying cryptic things with Kim Basinger, who turns out to be in this movie about as much as Danny DiVito is in the poster.

Instead, I liked La ConfidentiΓ‘l, and that I'm glad it was made in the 90s so that it didn't turn out to be Gangster Squad, which I have not seen but I'm willing to assume puts more emphasis on speed ramping the camera than an intriguing plot. I look forward to seeing that movie in 2029 and coming back to write about how wrong I turned out to be.

Gone Girl - β˜…β˜…β˜…β˜…β˜…
My experience with this movie is similar to Inception, in that I liked it, I'm glad I saw it very close to release day, and I dread most of the inevitable internet conversation to follow.

I didn't know anything about Gone Girl until a week or two ago when my twitter feed started to bubble over with equal excitement for the director, Fincher, and the editing system used, Adobe Premiere. That's probably because of how much I've cut down on reading movie news blogs. If the result of that choice is movies like these popping up out of nowhere and being great, then it was an excellent choice.

#2,073: The Unbelievers

American Psycho - β˜…β˜…β˜…β˜†β˜†
I hadn't seen this for at least a decade. I'm not sure there's a lot more to it than I remembered, or than people love to write about on their blogs every now and then. Christian Bale has excellent elocution. His diction and intonation are what I suspect people really like about this movie, if all people who like things about this movie are me.

Lilo & Stitch - β˜…β˜…β˜…β˜…β˜…
Man, this is just great. The way some people feel about Glengarry Glen Ross and The Aviator, I think I could go on about Lilo & Stitch. Lots of great lines and moments. A sense of things going on outside of the frame. A little darker or odder than I think you'd think a potential 'Disney Classic' might be. I missed this movie.

Justice League: The New Frontier - β˜…β˜…Β½β˜†β˜†
Watched on the suggestion of a friend who considers this (and the books it's based on) to be the definitive version of the JLA. While it is a really solid take on the origin of the team and some of its members, it's still yet another origin story, and one I'm tired of hearing.

The Unbelievers - β˜…β˜…β˜†β˜†β˜†
I see what the subjects of this movie are trying to say, but I don't see what this movie is trying to say. The movie doesn't make a case for atheism; if anything, it makes a case that Krauss and Dawkins need a vacation. I thought we might be getting a LET AMERICA LAUGH type doc, showing them dealing with people they met on tour, but it's not that. It's more like a video yearbook of the fact that there was a tour; a sales pitch video for their speaking agents to use.

Don't miss the credits, which contain a trailer's worth of footage from a more interesting documentary.

MPU Live: Taking Obsequiousness to New Unplumbed Depths

I'm ever-so-briefly mentioned in this month's Mac Power Users Live with two tips on presentations.

The first, as covered in my Nintendo e3 post, is to remind you turn off your system noises and so forth before a presentation.

The second, as a stand-up, I encourage you to take a pause instead of um-ing and ah-ing on stage. A brief pause is always shorter than you think it is, and almost always looks deliberate.

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