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Written by Rob Schultz (human).

#2,067: Tim's Vermeer

For a couple weeks there, it was looking like I was going to be editing a feature-length documentary. Scary stuff. I watched a lot of documentaries while the threat was looming.

20 Feet from Stardom - ★★★★☆
It's fun to know that record producers in the day weren't just aping one another with soundalikes, they were actually just hiring the same singers to do everything. You always hear about folks picking sides between the Beatles or the Stones, and although I don't really care about the Beatles, I don't think I'd ever considered that I might prefer the Stones until I saw this. On the production side, the clearances department did as amazing a job as anyone on this. It's one expensive-lookin' movie.

Particle Fever - ★★☆☆☆
I guess my main draw to this project was the editor, as I struggle myself with editing a documentary. I think Walter Murch's presence was more noticeable in the sound design. It seems like there must be interesting stories in and around CERN, but this movie was a little bit snoozy. Another review said it felt more like late night cable and I think I agree.

Also, I'm worried about how close I might be to having a haircut like a physicist.

Downloaded - ★★☆☆☆
I just let netflix play me this one after Particle Fever. They did a fine enough job telling a story in a doc that looks like a doc looks in the age of DSLRs, but it's all pretty old news. So, technically apt, but kind of unnecessary. And now I'm all distracted by that song from Fallout 3 in the credits.

Tim's Vermeer - ★★★½☆
This story is better than this movie. I was kind of intrigued by how low-fi it is. Scenes in England seemed unnecessary, and there's a touch too much Penn; those were the places where the movie wanders a little, and I would have rather had more time to spend on Tim's work. (For instance, after all the worry about how many hours of usable daylight there would be, I would have liked to have been told the answer!) A good example of a doc that needed to be made at the time it was made. For one reason, if the process works, he's not going to want to repeat it for a film. For another, with a movie in the works, Tim is now making two pieces of art, and suffering for one might just help the other.

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