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Written by Rob Schultz (human).

#2,077: Gone Girl

This week, the reviews are pretty low on critical thinking. I'd apologize for that, but I'm too thoroughly employed to do anything about anything at the moment.

Devil in a Blue Dress - ★★★½☆
A fun companion to a recent run of movie club movies that included LA Confidential, The Long Goodbye, and Changeling. Good movie. Bad title. Makes me want to start a letterboxd list called "We were SURE this was gonna be a franchise!"

The Drop - ★★★½☆
Went into this one cold. It's pretty good! Pleasantly surprised to see it's written by Dennis Lehane. My favorite thing about Hardy and Rapace are that I don't really know what they look like yet, so I don't have to spend the first twenty minutes of the movie waiting for the character to take over in my head from the big star. (Ahem, Devil in a Blue Dress, ahem.) Movies like this are tough to give a score though, because while I liked it, have no real complaints, and would recommend this movie to YOU, I don't think I will ever want to see it again.

L.A. Confidential - ★★★½☆
I think all I knew about this movie was the clip shown on the Mystery Science Theater 3000 Vice Presidential Command Performance Academy of Robots' Choice Awards Preview Special, so I thought it was going to be a lot of boring standing around and saying cryptic things with Kim Basinger, who turns out to be in this movie about as much as Danny DiVito is in the poster.

Instead, I liked La Confidentiál, and that I'm glad it was made in the 90s so that it didn't turn out to be Gangster Squad, which I have not seen but I'm willing to assume puts more emphasis on speed ramping the camera than an intriguing plot. I look forward to seeing that movie in 2029 and coming back to write about how wrong I turned out to be.

Gone Girl - ★★★★★
My experience with this movie is similar to Inception, in that I liked it, I'm glad I saw it very close to release day, and I dread most of the inevitable internet conversation to follow.

I didn't know anything about Gone Girl until a week or two ago when my twitter feed started to bubble over with equal excitement for the director, Fincher, and the editing system used, Adobe Premiere. That's probably because of how much I've cut down on reading movie news blogs. If the result of that choice is movies like these popping up out of nowhere and being great, then it was an excellent choice.